Bruno Ehrs: Born 1953 in Stockholm.
Education: The School of Photography in Stockholm, 1974–1976.

Career: Started after training as an architecture and documentary photographer at Stockholm City Museum in the mid-1970s, then continued at Stockholm City and Månadsjournalen, among others.

Freelance since 1982, with assignments for newspapers, companies and book publishers, among others.
Has published a couple of his photo books and is represented at the National Museum and the Modern Museum in Stockholm.

– “I always try to find the geometric lines in the picture. If I am going to take a portrait, I first look at where there is harmony in the surroundings, then I insert the person. Usually, there is only one optimal place. If you move 10 cm to the right or left, the entire balance in the image can be lost “, says Bruno Ehrs

Bruno Ehrs: Born 1953 in Stockholm.
Education: The School of Photography in Stockholm, 1974–1976.

Career: Started after training as an architecture and documentary photographer at Stockholm City Museum in the mid-1970s, then continued at Stockholm City and Månadsjournalen, among others.

Freelance since 1982, with assignments for newspapers, companies and book publishers, among others.
Has published a couple of his photo books and is represented at the National Museum and the Modern Museum in Stockholm.

– “I always try to find the geometric lines in the picture. If I am going to take a portrait, I first look at where there is harmony in the surroundings, then I insert the person. Usually, there is only one optimal place. If you move 10 cm to the right or left, the entire balance in the image can be lost “, says Bruno Ehrs

Bruno Ehrs: Born 1953 in Stockholm.
Education: The School of Photography in Stockholm, 1974–1976.

Career: Started after training as an architecture and documentary photographer at Stockholm City Museum in the mid-1970s, then continued at Stockholm City and Månadsjournalen, among others.

Freelance since 1982, with assignments for newspapers, companies and book publishers, among others.
Has published a couple of his photo books and is represented at the National Museum and the Modern Museum in Stockholm.

– “I always try to find the geometric lines in the picture. If I am going to take a portrait, I first look at where there is harmony in the surroundings, then I insert the person. Usually, there is only one optimal place. If you move 10 cm to the right or left, the entire balance in the image can be lost “, says Bruno Ehrs