Lena Granefelt
With her foot in the documentary narrative, Lena Granefelt has since 1992 worked with reports, advertising, travel and book projects. She co-founded the magazine Motiv – a photo gallery in newspaper form, she was the photographic photo editor for the pioneering food magazine Hunger. She gives regular lectures and always has her artistic projects in addition to commissioned photography. Now she is up to date with the exhibition and book Flora supersum – a work about the beauty of extinction and the struggle for survival, shaped by the plants’ existence and will to live. The project also touches on deeper levels of issues of life and death as well as geographical boundaries and movements for all living things.
Lena Granefelt
With her foot in the documentary narrative, Lena Granefelt has since 1992 worked with reports, advertising, travel and book projects. She co-founded the magazine Motiv – a photo gallery in newspaper form, she was the photographic photo editor for the pioneering food magazine Hunger. She gives regular lectures and always has her artistic projects in addition to commissioned photography. Now she is up to date with the exhibition and book Flora supersum – a work about the beauty of extinction and the struggle for survival, shaped by the plants’ existence and will to live. The project also touches on deeper levels of issues of life and death as well as geographical boundaries and movements for all living things.
Lena Granefelt
With her foot in the documentary narrative, Lena Granefelt has since 1992 worked with reports, advertising, travel and book projects. She co-founded the magazine Motiv – a photo gallery in newspaper form, she was the photographic photo editor for the pioneering food magazine Hunger. She gives regular lectures and always has her artistic projects in addition to commissioned photography. Now she is up to date with the exhibition and book Flora supersum – a work about the beauty of extinction and the struggle for survival, shaped by the plants’ existence and will to live. The project also touches on deeper levels of issues of life and death as well as geographical boundaries and movements for all living things.